Dezembro 2014 vol. 1 num. 8 - XVIII Conference of the Iberoamerican Society of Digital Graphics - SIGraDi: Design in Freedom

Article - Open Access.

Idioma principal

Creative noise: considerations of sound design for public interventions

Roça, Luciana ; Tramontano, Marcelo ;

Article:

Despite the interpretations of noise as a disturbance, interference or an unpleasant sound, noise is deeply related to cultural and social processes. This paper aims to discuss the use of non-musical sounds in public artistic interventions, based on a sound intervention con- ducted as part of an accomplished research, focusing the juxtaposition of sound and physical environments by the use of sound interfaces providing collective listening in public spaces. This research is also part of Nomads.usp, Centre of Interactive Living Studies, of the Institute of Architecture and Urbanism at the University of São Paulo.

Article:

Download (PDF)

Palavras-chave: sound environment, urban intervention, public space, sound design, noise,

Palavras-chave:

DOI: 10.5151/despro-sigradi2014-0110

Referências bibliográficas
  • [1] Attali, J. (1985). Noise: the political economy of music. Minne- apolis: University of Minnesota Press.
  • [2] Cage, J. (1961). Silence. Middletown: Wesleyan University Press. Emmerson, S. (2012). Location – Dislocation – Relocation (‘Where is Live Electronic Music?’). In: Proceedings of IV Seminário de Música, Ciência e Tecnologia: Fronteiras e Rupturas, São Paulo.
  • [3] Kahn, D. (1999). Noise, water, meat: a history of sound in the arts. Cambridge: MIT Press.
  • [4] LaBelle, B. (2006). Background noise: perspectives on sound art. New York: Continuum International Publishing.
  • [5] Lefebvre, H. (2004). Rhythmanalisys: Space, time and everyday life. London: Continuum Books.
  • [6] Moles, A. (1966). Information Theory and Esthetic Perception. University of Illinois Press.
  • [7] Nomads.usp (Ed.). (2013). Territórios Híbridos: Ações culturais, espaço público e meios digitais. São Carlos: IAUUSP.
  • [8] Peixoto, N. B. (1998). Intervenções urbanas: Arte/cidade. São Paulo: Editora Senac.
  • [9] Raimbault, M., Dubois, D. Urban Soundscapes: Experiences and Knowledge. Cities, v. 22, n. 5, p. 339–350. doi:10.1016/j. cities.2005.05.003
  • [10] Russo, M.; Warner, D. Rough Music, Futurism and Postpunk Industrial Noise Bands. Discourse, v.10, n.1, p. 55-76, 1987. Retrieved from http://www.jstor.org/stable/41389097.
  • [11] Santos, M. (1996). A natureza do espaço. São Paulo: Hucitec. Semidor, C. (2006). Listening to a city with the soundwalk method. Acta Acustica united with acustica, v. 92, n. 6, p. 959-964. Truax, B. (2001). Acoustic Communication. Westport: Ablex Publishing.
  • [12] Wishart, T. (1996). On Sonic Art. Amsterdam: Harwood Academic Publishers GmbH.
Como citar:

Roça, Luciana; Tramontano, Marcelo; "Creative noise: considerations of sound design for public interventions", p. 532-535 . In: Proceedings of the XVIII Conference of the Iberoamerican Society of Digital Graphics: Design in Freedom [=Blucher Design Proceedings, v.1, n.8]. São Paulo: Blucher, 2014.
ISSN 2318-6968, DOI 10.5151/despro-sigradi2014-0110

últimos 30 dias | último ano | desde a publicação


downloads


visualizações


indexações