Artigo:

René Lalique, jeweler and master glazier, had an important trajectory in the world of arts in Europe. He started his career at a very young age as a draftsman for a renowned jeweler, still adept in old ideas, but without innovations. He was innovative, enterprising and well talented, working with ceramics, enamel and glass, painting, engraving, pastel portraits and embroidery. He also produced furniture, like chairs, tables, exhibitors, sideboards. Lalique was one of the greatest representatives of Art Nouveau in his technique ans style, printing his mark in the 19th and 20th centuries. He has always been subject of research, for the most part, concentrated in Europe. This was observed by bibliometric data collection, which is the basis of this article. However, in Brazil he does not have the due recognition as can be seen in bibliometric research. Besides this research, we accessed the virtual archive of Calouste Gulbenkian Foundation, where Maria Teresa Gomes Ferreira’ research has been a source of valuable information. A bibliographic review was made, by contextualizing the moment in which he acted and highlighting some of his works. This article investigates his works and his recognition as a jeweler, including in Brazil.