Setembro 2016 vol. 8 num. 2 - The 10th Conference of the International Committee for Design History & Design Studies
Article - Open Access.
In search of an imagery of domestic objects in Chile (1860—1930) through Lira Popular broadsheets as a graphic and identity reference
MALACCHINI, Simoné ;
Article:
One of the most important examples of identity graphics in Chile is the Lira Popular, a set of broadsheets printed in Chile (1860-1930) by popular poets who would report sensationalist news in décimas [ten-line stanzas], generally illustrated with an engraving; a largely urban phenomenon due to rural-urban migration and the resulting population growth in cities. Beyond the content of the broadsheets the image takes on relevance: the engravings reinforce a visual imagery where domestic objects, associated with the popular class, and consistent with the identity of these broadsheets, are represented and recognized as of part of a local identity. The following paper will approach material culture in Chile through a focus on objects of everyday use as seen in the Lira Popular, in order to elucidate from them a collective imagery and identity.
Article:
Palavras-chave: Domestic imagery, household objects, material culture, visual culture, Chilean identity, broadsheets,
Palavras-chave: ,
DOI: 10.5151/despro-icdhs2016-02_019
Referências bibliográficas
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- [2] Charpy, M. (2015) ‘How Things Shape Us: Material Culture and Identity in the Industrial Age’, in Gerritsen, A. and Riello, G. (ed.) Writing Material Culture History, Great Britain: Bloomsbury.
- [3] Csikszentmihalyi, M. and Rochberg-Halton, E. (1981) The Meaning of Things: Domestic Symbols and the Self, Cambridge: Cambridge University Press.
- [4] De Ramón, A. and Gross, P. (1985) ‘Santiago de Chile: Características histórico ambientales (1891—1924)’, Monografías de Nueva Historia, no. 1, London: University of London.
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- [7] Labarca, A. (1939) Historia de la Enseñanza en Chile, Santiago: Universidad de Chile.
- [8] Malacchini, S. (2012) ‘Lira Popular, Chilean broadsheets from the late nineteenth century. A graphic referent and its relation with sheets from Brazil and México’ in Farías, P (coord.) Design Frontiers – Territories, concepts, technologies, Sao Paulo: Blucher.
- [9] Malacchini, S. (2015) Lira Popular, Identidad gráfica de un medio impreso chileno, Santiago: Ocho Libros Editores.
- [10] Salazar, G. (2000) Labradores, peones y proletariado: formación y crisis de la sociedad popular chilena [Farmers, laborers and proletariat: formation and crisis of popular Chilean society], Santiago: LOM Ediciones.
Como citar:
MALACCHINI, Simoné; "In search of an imagery of domestic objects in Chile (1860—1930) through Lira Popular broadsheets as a graphic and identity reference", p. 162-167 . In: Wong, Wendy Siuyi; Kikuchi, Yuko & Lin, Tingyi (Eds.). Making Trans/National Contemporary Design History [=ICDHS 2016 – 10th Conference of the International Committee for Design History & Design Studies].
São Paulo: Blucher,
2016.
ISSN 2318-6968,
DOI 10.5151/despro-icdhs2016-02_019
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