Jogo e deriva com mídias (des)locativas

Jogo e deriva com mídias (des)locativas

Sperling, David M.; Santos, Fábio Lopes de Souza; Costa, Luciano Bernardino da; Lopes, Ruy Sardinha

Full Article:

The article presents and discusses premises, processes and results of the workshop ''Offerings - Game-performance" organized in 2015 as part of the experimental format of the III International Seminar “Representar”, structured by remote and multicentric activities. The workshop faces the pervasiveness of global positioning systems (GPS) and geographic information systems (GIS) in the contemporary context, developing behavioral aesthetic works in order to update the concept of "drift" (Situacionist International) and to discuss some modes of urban perception that can be activated through the (mis)use of mobile interfaces and geolocation devices and the practice of artistic interventions in the city.

The article presents and discusses premises, processes and results of the workshop ''Offerings - Game-performance" organized in 2015 as part of the experimental format of the III International Seminar “Representar”, structured by remote and multicentric activities. The workshop faces the pervasiveness of global positioning systems (GPS) and geographic information systems (GIS) in the contemporary context, developing behavioral aesthetic works in order to update the concept of "drift" (Situacionist International) and to discuss some modes of urban perception that can be activated through the (mis)use of mobile interfaces and geolocation devices and the practice of artistic interventions in the city.

Palavras-chave:

DOI: 10.5151/despro-sigradi2016-387

Referências bibliográficas

• [1] Abrahams, J.; Hall, P. (2006). Else/Where: mapping new cartographies of networks and territories. Minessota: University of Minessota Press.
• [2] Careri, F. (2013). Walkscapes. O caminhar como prática estética. São Paulo: GG.
• [3] Flusser, V. (1985). Filosofia da Caixa Preta. São Paulo: Hucitec.
• [4] Knabb, Ken, ed. Situationist International Anthology, Berkley: Bureau of Public Secrets, 1995.
• [5] Kurgan, L. (2013). Close Up at a Distance: Mapping, Technology, and Politics. New York: Zone Books.
• [6] CostaLima, M. (2015). Projeto Correspondência. Livro de Artista. São Paulo: Pingado-Prés.
• [7] Machado, A. (2002). Repensando Flusser e as imagens técnicas. In L. Leão (Ed). Interlab: labirintos do pensamento contemporâneo (p.147-156). São Paulo: Iluminuras.
• [8] Morris, D.; Voyce, S. (2016). Counter-map collection. Recuperado de: http://jacket2.org/commentary/dee-morris-stephen-voyce
• [9] Nold, C. (2009). Emotional Cartography. Technologies of the Self. Recuperado de: www.emotionalcartography.net
• [10] O'Rourke, K. (2013). Walking and Mapping: Artists as Cartographers. Cambridge: The MIT Press.
• [11] Representar (2015a). 3o Seminário Internacional “Representar – 2015” (Des)desenhar (Des)Dibujar Fronteiras Fronteras / Inaugurar Fronteiras Fronteras”. Recuperado de http://representar2015.blogspot.com.br/
• [12] Representar (2015b). Proposta do 3º Representar. (mimeo)

Como citar:

Sperling, David M.; Santos, Fábio Lopes de Souza; Costa, Luciano Bernardino da; Lopes, Ruy Sardinha; "Jogo e deriva com mídias (des)locativas", p-853-859. In: <strong>XX Congreso de la Sociedad Iberoamericana de Gráfica Digital [=Blucher Design Proceedings, v.3 n.1]</strong>. São Paulo: Blucher, 2016.
ISSN 23186968, DOI 10.5151/despro-sigradi2016-387