Dezembro 2014 vol. 1 num. 5 - 9th Conference of the International Committee for Design History and Design Studies

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Modernity and Regionalism in Pernambuco’s Design: Lula Cardoso Ayres

Efrem, Rafael ;

Article:

Lula Cardoso Ayres was the modern artist and designer who best visually reproduced Gilberto Freyre’s regionalistic theories. This paper discusses how his different activities within the production of symbolic goods in Pernambuco are visually manifested in his graphic design.

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Palavras-chave: modernity, regionalism, Pernambuco’s design, Lula Cardoso Ayres,

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DOI: 10.5151/despro-icdhs2014-0026

Referências bibliográficas
  • [1] Bourdieu, P. (2005) A Economia das Trocas Simbólicas. 6.ed. São Paulo: Perspectiva (Estudos Collection)
  • [2] Claudio, J. (1982) Artistas de Pernambuco. Recife: State Government.
  • [3] Freyre, G. (1987) Vida, forma e cor. 2. ed. Rio de Janeiro: Record, 1987.
  • [4] LIMA, M. (2010) Interview at her house on 1th December. In: LIMA, R. (2011) Estética moderna do design pernambucano: Lula Cardoso Ayres. Recife: Federal University of Pernambuco. Master thesis. 137 p.
  • [5] Teixeira, F. (2007) O movimento e a linha: presença do Teatro do Estudante e d’ O Gráfico Amador no Recife (1946 – 1964). Recife: University Press - UFPE.
Como citar:

Efrem, Rafael; "Modernity and Regionalism in Pernambuco’s Design: Lula Cardoso Ayres", p. 219-224 . In: Tradition, Transition, Tragectories: major or minor influences? [=ICDHS 2014 - 9th Conference of the International Committee for Design History and Design Studies]. São Paulo: Blucher, 2014.
ISSN 2318-6968, DOI 10.5151/despro-icdhs2014-0026

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