Novembro 2015 vol. 2 num. 3 - XIX Congresso da Sociedade Ibero-americana de Gráfica Digital 2015

Artigo Completo - Open Access.

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Mundos Virtuales y Pantallas

Screens and Virtual Worlds

Iglesias, Rodrigo Martin ;

Artigo Completo:

The paper deals with the problem of the screens and its virtuality in the contemporary world from four analytical and hermeneutical perspectives: A genealogical perspective: The historical approach to the development of screens allows us to outline genealogical networks. An analogical perspective: which transforms the image re-presentation of the real, the production of the Real. A phenomenological perspective: in which our knowledge of reality is conditioned by our perception and this in turn by our senses. And a technological perspective: Outside any metaphor, what unites screens is its operability as a technical device.

Artigo Completo:

The paper deals with the problem of the screens and its virtuality in the contemporary world from four analytical and hermeneutical perspectives: A genealogical perspective: The historical approach to the development of screens allows us to outline genealogical networks. An analogical perspective: which transforms the image re-presentation of the real, the production of the Real. A phenomenological perspective: in which our knowledge of reality is conditioned by our perception and this in turn by our senses. And a technological perspective: Outside any metaphor, what unites screens is its operability as a technical device.

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Palavras-chave: Screens, Virtuality, Devices, Media, Interfaces,

Palavras-chave: Screens, Virtuality, Devices, Media, Interfaces,

DOI: 10.5151/despro-sigradi2015-90270

Referências bibliográficas
  • [1] Aumont, Jacques, El ojo interminable, Barcelona, Paidós, 1997.
  • [2] Bellour, Raymond, “La doble hélice”, 1999. Traducción de Eduardo Russo.
  • [3] Comolli, Jean-Louis, “El lado de la sombra”, en Diccionaire des Utopies bajo la dirección de Michèle Riot-Sarcey, Larousse, 2002.
  • [4] Dartigues, A., Mente, mundo y acción, Barcelona, Paidós, 1981.
  • [5] Dubois, Phillipe, “Máquinas de imágenes: una cuestión de línea general”, Del libro: Video, Cine, Godard, Philippe Dubois, Libros del Rojas, Universidad de Buenos Aires, 2000.
  • [6] Gunning, Tom. “La fantasmagoría y la fábrica de ilusiones mágicas: hacia una óptica cultural del aparato cinematográfico”. Traducción: María Calzada. “Dispositif(s) du cinéma (des premiers temps)”, en Cinémas, volumen 14, nº1, otoño (2003).
  • [7] Huhtamo, Erkki, Elements of screenology, 2001.
  • [8] Ihde, Don, Bodies in Technology, 2002.
  • [9] Lister, M. et al., New Media: A Critical Introduction. London: Routledge. 2003.
  • [10] Manovich, Lev, “Una arqueología de la pantalla de computadora” en AA.VV. La revolución hipermedia, Bs. As., Expediciones2, 2000.
  • [11] Silverstone, Roger, “From audiences to consumers: the household and the consumption of communication
  • [12] and information technologies”, en European Journal of Communication, vol. 6, núm. 2, junio 1991, Sage Publications.
  • [13] Silverstone, Roger, “De la sociología de la televisión a la sociología de la pantalla. Bases para una reflexión global”, en Diálogos de la Comunicación, núm. 33, 2004.
  • [14] Sobchack, Vivian, “The Scene of the Screen: Envisioning Cinematic and Electronic Presence” en Gumbrecht Hans Ulrich, and Pfeiffer, K. Ludwig (eds.), Materialities of Communication., (Stanford: Stanford University Press, 1994).
Como citar:

Iglesias, Rodrigo Martin; "Mundos Virtuales y Pantallas", p. 465-472 . In: . São Paulo: Blucher, 2015.
ISSN 2318-6968, ISBN: 978-85-8039-136-7
DOI 10.5151/despro-sigradi2015-90270

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