Novembro 2018 vol. 5 num. 1 - XXII CONGRESSO INTERNACIONAL DA SOCIEDADE IBEROAMERICANA DE GRÁFICA DIGITAL

Artigo - Open Access.

Idioma principal | Segundo idioma

Museum of the Underway Artists - Metanarratives on Networks

-

Hosni, Cássia ; Prata, Didiana ; Ferrari, Erica ; Lavigne, Nathalia ;

Artigo:

This article draws attention to an experience of workshop Masp.Etc.Br carried out by the Research Group Aesthetics of Memory of the 21st Century at the São Paulo Museum of Art (MASP), in which an aesthetic mapping of Paulista Avenue was done to discuss collaborative processes of image production organized through hashtags. The material gathered was an ample set of images posted on Instagram. After two collaborative edition processes, a final version was projected as a video at the free span of the Museum. These experiences bring attention to the aesthetics of the database and narratives in social networks.

Artigo:

-

Download (PDF)

Palavras-chave: São Paulo Museum of Art; MASP; Paulista Avenue; Public space; Database Aesthetics,

Palavras-chave: -,

DOI: 10.5151/sigradi2018-1637

Referências bibliográficas
  • [1] Beiguelman, G., & La Ferla. J. (2011). Nomadismos tecnológicos. São Paulo: Senac. Castells, M. (2011). Museus na era da informação: conectores culturais de tempo e espaço. Revista Musas 5, 8-2 Retrieved from http://www.museus.gov.br/wp-content/uploads/2015/01/Revista-Musas-5.pdf.
  • [2] Estéticas da memória no século 21. (2017, mar). Masp.Etc.br [Video Archive]. Retrieved from https://www.youtube.com/watch?v=De6DaSJEqq8 Manovich, L.(2001). The Language of New Media.Massachusetts: MIT Press. Manovich, L. (2016). Designing and Living Instagram Photography: Themes, Feeds, Sequences, Branding, Faces, Bodies. Retrieved from http://manovich.net/index.php/projects/designing-and-living-instagram-photography. Manovich, L. (2017). Instagram and Contemporary Image. Retrieved from http://manovich.net/index.php/projects/instagram-and-contemporary-image Masp.Etc.Br. (2017). Retrieved from http://outrosurbanismos.fau.usp.br/maspetcbr.Maulraux, A. (1965). O Museu Imaginário. Lisboa: Edições 70. Paul, C. (2006). Digital Art/Public Art: Governance and Agency in the Networked Commons. First Monday, 0. doi: https://doi.org/10.5210/fm.v0i0.1616 Paul, C. (2007). The Database as System and Cultural Form: Anatomies of Cultural Narratives..In Vesna, V. (Ed), Database Aesthetics Art in the Age of Information Overflow. (p. 94-108). London: University of Minnesota Press. Prata, D. (2016). Imageria e poéticas de representação da paisagem urbana nas redes. (Master's thesis).Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo, São Paulo Rancière, J. (2005). A partilha do sensível: estética e política. São Paulo: Editora 34. Rancière, J. (2013). O destino das imagens. Rio de Janeiro: Contraponto. Saad Corrêa, E.& Bertocchi, D. (2012). O Algoritmo Curador: O papel do comunicador num cenário de curadoria algorítmica de informação. Retrieved from http://bibliodigital.unijui.edu.br:8080/xmlui/handle/123456789/285 Vesna, V. (Ed.). (2007). Database Aesthetics: Art in the Age of Information Overflow. University of Minnesota Press.
Como citar:

Hosni, Cássia; Prata, Didiana; Ferrari, Erica; Lavigne, Nathalia; "Museum of the Underway Artists - Metanarratives on Networks", p. 1167-1172 . In: . São Paulo: Blucher, 2018.
ISSN 2318-6968, DOI 10.5151/sigradi2018-1637

últimos 30 dias | último ano | desde a publicação


downloads


visualizações


indexações