Blucher Design Proceedings

Dezembro 2014, vol.1, num.8 - XVIII Conference of the Iberoamerican Society of Digital Graphics - SIGraDi: Design in Freedom
Article - Open Access Idioma principal | Segundo principal

Précriarprogramar: Por uma estética da interface computacional

Précriarprogramar: Por uma estética da interface computacional

Nunes, João Fernando Igansi

Article:

Definitions of Computational Aesthetics from the metric measurement of algorithmic mathematical language will be treated here under the concepts of: Aesthetic Measures by Birkhoff (1928); Information-, Generativ-, Abstract- and Experimental-Aesthetic by Bense (1965); Aesthetic of algorithmic by Stiny and Gips (1978); Endo-Aesthetic by Claudia Giannetti (2005); and, Maximizing Transfer of Struture and Maximizing Recoverability of the Generative Operations by Leyton (2006). The methodological approach to issues of practice and theory used is the main concepts of the relationship between author / reader on the perspective of Arts and Design with Computational Science.

Definitions of Computational Aesthetics from the metric measurement of algorithmic mathematical language will be treated here under the concepts of: Aesthetic Measures by Birkhoff (1928); Information-, Generativ-, Abstract- and Experimental-Aesthetic by Bense (1965); Aesthetic of algorithmic by Stiny and Gips (1978); Endo-Aesthetic by Claudia Giannetti (2005); and, Maximizing Transfer of Struture and Maximizing Recoverability of the Generative Operations by Leyton (2006). The methodological approach to issues of practice and theory used is the main concepts of the relationship between author / reader on the perspective of Arts and Design with Computational Science.

Download (PDF)

Palavras-chave:

DOI: 10.5151/despro-sigradi2014-0086

Referências bibliográficas
  • [1] Beiguelman, G.. (2004). For an aesthetics of transmission. In: First- Monday: Peer-Reviewed Journal on the Internet. http://www. firstmonday.org/issues/special11_2/beiguelman/index.html
  • [2] Beiguelman, G. (2003). O Livro depois do Livro. SP, 2003. São Paulo: Editora Peirópolis.
  • [3] Beiguelman, G. (2005). Link-se. Editora Peirópolis.
  • [4] Bootz, P. (2001). Formalization d’un modele fonctionnel de communication a l’aide des technologies numeriques applique a la creation poetique. Paris 8.
  • [5] Costa, M. (1986). Principes de l’esthetique de la communication et perspective anthropologique, in AAVV., Art et communication, Paris, Osiris.
  • [6] Costa, M. (2003). Internet et Globalization Esthetique: L’avenir de l’art e de la philosophie à l’époque des réseaux. Traduit par Giordano di Nicola. Ouverture Philosophique Éditions L’Harmattan.
  • [7] Darrel, K. M. and S. (1995). Designing Visual Interfaces: Communication Oriented Techniques. SunSoft Press/Prentice Hall
  • [8] Derrida. J. (2002). De La Grammatologie. Collection Critique. Les Éditions de Minuit. Paris.
  • [9] Derrida. J. (2001). Papier Machine. Les Éditions Galilée. Paris.
  • [10] Derrida. J. (1977). La Révolution Moléculaire. Éditions Recherches Encres. Paris.
  • [11] Fishwick, P. A. (2006). Aesthetic Computing. MIT Press: Cambridge.
  • [12] Galloway, A. (2004). Protocol: How Control Exists after Decentralization, MIT Press.
  • [13] Goodman, N (1978). Ways of Worldmaking. Indianopolis: HackettPublishing Company.
  • [14] Guattari, F. (1989). Chaosmose. Éditions Galilée.
  • [15] Lévy, P. (1997). Cyberculture. Odile Jacob, Paris.
  • [16] Lovejoy, M. (2004). Digital currents: art in the electronic age. London: Routledge.
  • [17] Manovich, L. (2001). The language of new media. The MIT Press: Cambridge Massachusetts.
  • [18] Nake, S. Grabousky and F. (2006). The Interface as sign and as aesthetic event. (in) Paul A. FISHWICK, Aesthetic Computing. MIT Press: Cambridge.
  • [19] Neuman, L. (2005). Computational Aesthetics. Girona, Spain.
  • [20] Paul, C. (2003). Digital Arte. London: Thames Andamp; Hudson world of art.
  • [21] Wands, B. (2007). L’ART à l’ère du NUMÉRIQUE. Thames Andamp; Hudson.
  • [22] Woolman, M. (2003). Données à voir: Le graphisme d’information sur support numérique. Thames Andamp; Hudson.
Como citar:

Nunes, João Fernando Igansi; "Précriarprogramar: Por uma estética da interface computacional", p-429-432. In: Proceedings of the XVIII Conference of the Iberoamerican Society of Digital Graphics: Design in Freedom [=Blucher Design Proceedings, v.1, n.8]. São Paulo: Blucher, 2014.
ISSN 23186968, DOI 10.5151/despro-sigradi2014-0086

últimos 30 dias

67
downloads

193
visualizações

955
indexações