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Project Oficinas Design
Project Oficinas Design
Corrêa, Glaucinei; Moura, Karine; Pereira, Wilton; Sarvel, Cayano; Sarmiento, Jameny
Artigo Completo:
This article presents the experiment and obtained results of the Project Oficinas Design, showingthe social-economic inclusion of artisans by thematic workshops that allied design with popular art, seekingdevelopment/improvement of the artisan products. These workshops aimed development/perfecting ofcraftwork products, adding value and making possible an increase on the generated financial income. Themethodological procedures used included an active participation of researchers, professors, students,technicians and artisans on the conception, cooperation and integration of methods and instruments duringthe execution of the project. The activities were orientated by dialogic relations based on: proximity betweenthe subjects, respect and mutual recognizing. The steps of the project development were: (1) Preparing thestudents for the community work and (2) Researching and studying groups and institutions from all over theworld that do this type of work ; (3) Preparing didactic material to be used on the workshops; (4) Workshopswith weekly encounters with the artisans; (5) Disclosing of obtained results with the program. It is possibleto conclude that the project achieved most of its goals. Also, the development of the project activities allowedthe integration between society and university, promoting academic learning for the students.
This article presents the experiment and obtained results of the Project Oficinas Design, showingthe social-economic inclusion of artisans by thematic workshops that allied design with popular art, seekingdevelopment/improvement of the artisan products. These workshops aimed development/perfecting ofcraftwork products, adding value and making possible an increase on the generated financial income. Themethodological procedures used included an active participation of researchers, professors, students,technicians and artisans on the conception, cooperation and integration of methods and instruments duringthe execution of the project. The activities were orientated by dialogic relations based on: proximity betweenthe subjects, respect and mutual recognizing. The steps of the project development were: (1) Preparing thestudents for the community work and (2) Researching and studying groups and institutions from all over theworld that do this type of work ; (3) Preparing didactic material to be used on the workshops; (4) Workshopswith weekly encounters with the artisans; (5) Disclosing of obtained results with the program. It is possibleto conclude that the project achieved most of its goals. Also, the development of the project activities allowedthe integration between society and university, promoting academic learning for the students.
Palavras-chave:
DOI: 10.5151/sbds-issd-2017-036
Referências bibliográficas
- [1] ARRUDA, Marcos. Situando a economia solidária. In: Economia Solidária: desafios para um novo tempo. Fundação Luís Eduardo Magalhães. Salvador: FLEM, 2003. 132p (Cadernos FLEM, 5), p. 1932.
- [2] BARROSO NETO, Eduardo. Design, Identidade, Cultura e Artesanato. Primeira Jornada Iberoamericana de Design no Artesanato, 1999.
- [3] BORGES, Adélia. A intervenção do design no produto de artesanato. In: Seminário Artesanato: intervenções e mercados (caminhos possíveis). Centro de Negócios de São Paulo, 25 de outubro de 2006. São Paulo: Artesanato Solidário/Artesol e SEBRAE, 2006.
- [4] CORRÊA, Glaucinei Rodrigues; CASTRO, Maria Luiza A. C. O pensamento complexo de Edgar Morin e o design. Revista Estudos em Design (online). Rio de Janeiro, v 21, n 1, p 115, 2013.
- [5] LAVE, Jean; PACKER, Martin. Towards a social ontology of learning. In: NIELSEN, K. et al. A qualitative stance: essays in honor of steinar Kvale. Oxford: Aarhus Universitetsforlag, 2008.
- [6] LAVE, Jean; WENGER; Etienne. Situated learning: legitimate peripheral participation. New York: Cambridge University Press, 1991.
- [7] NEMER, J. A. Palestra no VII Encontro Design e Artesanato do Museu A CASA. In: A Casa: museu do objeto brasileiro, 2003. (http://www.acasa.org.br/ensaio.php?id=46&modo=painel)
- [8] THIOLLENT, Michel. Metodologia da Pesquisa-Ação. São Paulo: Cortez, 1986.
Como citar:
Corrêa, Glaucinei; Moura, Karine; Pereira, Wilton; Sarvel, Cayano; Sarmiento, Jameny; "Project Oficinas Design", p-220-225.
In: Anais do Simpósio Brasileiro de Design Sustentável e International Symposium on Sustainable Design 2017.
São Paulo: Blucher,
2017.
ISSN 23186968,
DOI 10.5151/sbds-issd-2017-036
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TY - CONF T1 - Project Oficinas Design JO - Blucher Design Proceedings VL - 3 IS - 6 SP - 220 EP - 225 PY - 2017 T2 - SBDS + ISSD 2017 AU - , , , , SN - 23186968 DO - http://dx.doi.org/10.5151/sbds-issd-2017-036 UR - www.proceedings.blucher.com.br/article-details/project-oficinas-design-26520 KW - ER -
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@article{Corrêa20144,
title="Project Oficinas Design",
journal="Blucher Design Proceedings",
volume="3",
number="6",
pages="220 - 225",
year="2017",
note="",
issn="23186968",
doi="http://dx.doi.org/10.5151/sbds-issd-2017-036",
url="www.proceedings.blucher.com.br/article-details/project-oficinas-design-26520",
author="Glaucinei Corrêa", "Karine Moura", "Wilton Pereira", "Cayano Sarvel", "Jameny Sarmiento",
keywords="",
}
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Glaucinei Corrêa, Karine Moura, Wilton Pereira, Cayano Sarvel, Jameny Sarmiento, Project Oficinas Design, Blucher Design Proceedings, Volume 3, 2017, Pages 220-225, ISSN 23186968, http://dx.doi.org/10.5151/sbds-issd-2017-036 (www.proceedings.blucher.com.br/article-details/project-oficinas-design-26520) Palavras-chave:: ;