A Fotografia Como um Meio de Expressão Entre Sujeito e Telefone Móvel na Cultura e Arte da Mobilidade

Photography as a Medium of Expression Between Subject and Mobile Phone in the Culture and Art of Mobility

Swarowsky, Luciana Abitante

Article:

Having the growing potential for mobile communication in our culture, whose daily life has become increasingly more influenced by new medias, this article aims to think mobile photograph as well as its creation from a dialogue between two distinct subjects: a sensitive one (the man) and a depersonalized one (the machine). In this text, the mobile phone represents the depersonalized subject and is seen as an apparatus capable of transforming the conceptual thinking in pictures as well transforms the sensitive subject in a dependent machinic. Thereby, it is possible to think the creation of mobile photography as an object originated from an interactive process between two subjects that are continuously confronting and interacting, moving and swapping positions in the reason of the photographic image.

Having the growing potential for mobile communication in our culture, whose daily life has become increasingly more influenced by new medias, this article aims to think mobile photograph as well as its creation from a dialogue between two distinct subjects: a sensitive one (the man) and a depersonalized one (the machine). In this text, the mobile phone represents the depersonalized subject and is seen as an apparatus capable of transforming the conceptual thinking in pictures as well transforms the sensitive subject in a dependent machinic. Thereby, it is possible to think the creation of mobile photography as an object originated from an interactive process between two subjects that are continuously confronting and interacting, moving and swapping positions in the reason of the photographic image.

Palavras-chave:

DOI: 10.5151/despro-sigradi2013-0128

Referências bibliográficas

• [1] Aumont, J. ( 1993). A imagem. São Paulo : Papirus.
• [2] Bauman, Z. (2001). Modernidade Líquida. Rio de Janeiro: Jorge Zahar Ed. Couchot, E. (2003) A tecnologia na arte: da fotografia à realidade virtual. Tradução de Sandra Rey. Porto Alegre: Editora da UFRGS.
• [3] Flusser, V. (2011). Filosofia da Caixa Preta: ensaios para uma futura filosofia da fotografia. Apresentação de Norval Baitello junior. - São Paulo; Annablume.
• [4] Kossoy, B. (2001). Fotografia e história. 2º ed. rev. - São Paulo: Ateliê editorial,.
• [5] Machado, A. (2001). O sujeito no ciberespaço. In: INTERCOM XXIV Congresso Brasileiro da Comunicação – Campo Grande /MS.
• [6] Manovich, L. (2000). The language of new media. Cambridge: The MIT Press,. Novas Mídias como tecnologia e idéias: dez definições. In LEÃO, L. 2005. O chip e o caleidoscópio: reflexões sobre as novas mídias. São Paulo: Ed. SENAC.
• [7] Plaza, J. (1998). Processos criativos com os meios eletrônicos: poéticas digitais. São Paulo: FAEP-UNICAMP Ed. Hucitec.
• [8] Santaella, L. Linguagens Líquidas na era da mobilidade. São Paulo: Ed. Paulus, 2007.
• [9] Soulages, F. (2010). Estética da fotografia: perda e permanência. Tradução de Iraci D. Poleti e Regina Salgado Campos. São Paulo: Editora Senac São Paulo.

Como citar:

Swarowsky, Luciana Abitante; "A Fotografia Como um Meio de Expressão Entre Sujeito e Telefone Móvel na Cultura e Arte da Mobilidade", p-651-654. In: Proceedings of the XVII Conference of the Iberoamerican Society of Digital Graphics: Knowledge-based Design [=Blucher Design Proceedings, v.1, n.7]. São Paulo: Blucher, 2014.
ISSN 23186968, DOI 10.5151/despro-sigradi2013-0128