Purple Haze vs Don Giovanni: a experiência de mashup no Pavillion 21 MINI Opera Space de Coop Himmelb(l)au

Purple Haze vs Don Giovanni: a experiência de mashup no Pavillion 21 MINI Opera Space de Coop Himmelb(l)au

Costa, Phillipe Cunha da

Full Article:

Recurring theme in architectural design, the relations between architecture and music in contemporary times have important discussions about parametric and cryptographic methods of notation. Through the Pavilion 21 MINI Opera Space, the ephemeral space for the Baviera State Opera, design by Wolf Prix and his office Coop Himmelb(l)au, we pretend to understand some concepts of notation and sound phenomena in architecture. This pavilion dialogue between the Xenakis notes and the electronic music advent, specially the composition methods of mixing like mashup, as simulations of the object.

Recurring theme in architectural design, the relations between architecture and music in contemporary times have important discussions about parametric and cryptographic methods of notation. Through the Pavilion 21 MINI Opera Space, the ephemeral space for the Baviera State Opera, design by Wolf Prix and his office Coop Himmelb(l)au, we pretend to understand some concepts of notation and sound phenomena in architecture. This pavilion dialogue between the Xenakis notes and the electronic music advent, specially the composition methods of mixing like mashup, as simulations of the object.

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DOI: 10.5151/despro-sigradi2016-737

Referências bibliográficas

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• [12] Prix, W. D. (2010) (ed.). Pavilion 21 MINI Opera Space. Vienna, AT: Himmelprint.
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• [14] Xenakis, I. (2008). Music and Architecture. New York, NY: Pendragon Press.

Como citar:

Costa, Phillipe Cunha da; "Purple Haze vs Don Giovanni: a experiência de mashup no Pavillion 21 MINI Opera Space de Coop Himmelb(l)au", p-572-578. In: <strong>XX Congreso de la Sociedad Iberoamericana de Gráfica Digital [=Blucher Design Proceedings, v.3 n.1]</strong>. São Paulo: Blucher, 2016.
ISSN 23186968, DOI 10.5151/despro-sigradi2016-737