Blucher Design Proceedings

Fevereiro 2014, vol.1, num.1 - 8th Conference of the International Committee for Design History & Design Studies
Full Article - Open Access Idioma principal | Segundo principal

Relationships between Neuroscience and visual perception model Sens-Org- Int contributing to Design practices

Relationships between Neuroscience and visual perception model Sens-Org- Int contributing to Design practices

CSILLAG, Paula

Full Article:

The aim of this article is to present the results of an analysis of findings from neuroscience, done with a design point of view, using Model Sens-Org-Int. Results indicate that there are several concepts in neuroscientific studies, especially the ones called visual illusions, that enhance design studies as the ones obtained from Gestalt School, which contribute significantly to design practices.

The aim of this article is to present the results of an analysis of findings from neuroscience, done with a design point of view, using Model Sens-Org-Int. Results indicate that there are several concepts in neuroscientific studies, especially the ones called visual illusions, that enhance design studies as the ones obtained from Gestalt School, which contribute significantly to design practices.

Download (PDF)

Palavras-chave:

DOI: 10.5151/design-icdhs-073

Referências bibliográficas
  • [1] Anderson, B. L. And Winawer, J. 2005. Image segmentation and lightness perception. Nature, 434, 79-83.
  • [2] Berkeley, G. 1709. Berkeley selections. New York: Scribner’s.
  • [3] Bruce, V.,Green, P., And Georgeson, M. 2003. Visual perception. Hove: Psychology Press.
  • [4] Bruner, J. 1957. On perceptual readiness. Psychol. Rev., Vol. 64, No. 2.
  • [5] Csillag, P. 2008. A Model of Visual Perception Useful for Designers and Artists. In: Griffin, R.;D’averignou, M. (Orgs.). Visual Literacy Beyond Frontiers: Information, Culture and Diversity. Loretto: St. Francis University Press, v., p. 11-20.
  • [6] De Valois, R. L. And De Valois, K. K. 1988. Spatial Vision. New York: Oxford University Press.
  • [7] Dondis, D. (1999). Sintaxe da Linguagem Visual. São Paulo: Martins Fontes.
  • [8] Gibson, J. 1979. The ecological approach to visual perception. Boston: Houghton-Mifflin.
  • [9] Helmoltz, H. 1925. Treatise on physiological optics: The perceptions of vision. Optical society of america, Ithaca.
  • [10] Hering, E. 1964 (1878). An Outline of a Theory of the Light Sense. Cambridge: Harvard University Press.
  • [11] Hubel, D.M.; Wiesel, T.N. 1962. Receptive Fields, Binocular Interaction And Functional Interaction And Functional Architecture Of The Cat’s Visual Cortex”. J. Physiol. Vol. 106.
  • [12] Hubel, D.M.; Wiesel, T.N. 1963. Receptive Fields Of Cells In Striate Cortex Of Very Young, Visually Inexperienced Kittens. J. Neurophysiol., Vol. 26.
  • [13] Itten, J. 1979. The Art of Color. New York: John Wiley And Sons.
  • [14] Kaplan, A. 1949. The Conduct of Inquiry. San Francisco: Chandler.
  • [15] Kelly, F.; Grossberg, S. 2003. Neural Dynamics of 3-D Surface Perception: Figure-Ground Separation and Lightness Perception. Perception And Psychophysics.
  • [16] Kepes , G. (1944). Language Of Vision. New York: Dover Publications.
  • [17] Knoblauch, K.; Shevell, S. 2004. Color Appearance: The Visual Neurosciences. Cambridge: MIT Press.
  • [18] Leontiev, A.N. 1959. Problems in mental development. Moscow: Izd. Akad.
  • [19] Luria, A.R. 1981. Fundamentos de neuropsicologia. Rio De Janeiro: Ed. Da Universidade De São Paulo.
  • [20] Ostrower, F. (1983). Universos Da Arte. Rio De Janeiro: Ed. Campus.
  • [21] Pinna, B., Brelstaff, G., Spillmann, L. 2001. Surface color from boundaries: a new ëwatercolorí illusion. Vision Research, 41: 2669-2676.
  • [22] Pinna, B., Spillman, L. 2001. Surface Color From Boundaries: a new watercolor illusion. Vision Research, 41:2669-2676.
  • [23] Sacks, O. 2003. Um Antropólogo em Marte. São Paulo: Cia. Das Letras.
  • [24] Scott, R. G. (1979). Fundamentos Del Diseño. Buenos Aires: Editorial Victor Leru.
  • [25] Shimojo S., Kamitani Y. 2001. Afterimage of perceptually filled-in surface. Science. Aug 31;293(5535):1677-80.
  • [26] Sohmiya, S. 2007. A wave-line colour illusion. Perception, 36, 1396-1398)
  • [27] Spillman And Ehrenstein. 2004. Gestalt Factors in the Visual Neurosciences. In CHALUPA, L.,WERNER, J. (Eds.). The Visual Neurosciences. Cambridge: MIT Press.
  • [28] Spillmann. L., Levine, J. 1971. Contrast enhancement in a Hermann grid with variable figure-ground ratio. Experimental Brain Research, 13: 547- 559.
  • [29] Telford, C. 1968. Psicologia. São Paulo: Cultrix.
  • [30] Van Tuijl, H. F. J. M. 1975. A new visual illusion: neonlike color spreading and complementary color induction between subjective contours. Acta Psychologica, 39, 441-445.
  • [31] White M. 2010. The Early History of White’s Illusion. Colour: Design And Creativity 5:7,1–7
  • [32] White M. 2010. The Early History of White’s Illusion. Colour: Design And Creativity 5:7,1–7.
  • [33] Yarbus, A.L. 1965. Eye Movements And Vision. New York: Plenum Press.
  • [34] Zeki, S. 1999. Inner Vision: An Exploration of Art and the Brain. Oxford: Oxford University Press.
  • [35] Zimkina, A.M. 1957. Some Special Features Of Tactile Trace Processes (After Images) In Man. Moscow: Izd. Acad, 1957.
Como citar:

CSILLAG, Paula; "Relationships between Neuroscience and visual perception model Sens-Org- Int contributing to Design practices", p-331-335. In: Farias, Priscila Lena; Calvera, Anna; Braga, Marcos da Costa & Schincariol, Zuleica (Eds.). Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. São Paulo: Blucher, 2012. São Paulo: Blucher, 2014.
ISSN 23186968, DOI 10.5151/design-icdhs-073

últimos 30 dias

81
downloads

275
visualizações

1511
indexações